The Mexican underground scene is one of the most powerful
manifestations of black metal. Serving as a symbol of true
rebellion and a symbol of the occult, Mexican black metal stands
out from all others with a particular fiery energy and primal fury
that you could rarely hear in other scenes.
I got to know Black Hate quite late – the band has been active
since 2006, and I fell in love with their sound in 2020 during the
Mexico Black Metal Fest, when the musicians amazed me not only with
their music, but and with his incredible stage presence, and
recently I have other observations of the musicians and see how
real is all in their camp. Also, over the years, the band has
played alongside Mayhem, Watain and many other bands you know well.
so you probably already had the chance to see them somewhere around
the world.
Once again authentic to the extreme, Black Hate present their sixth
full-length album, “Via Pvrgativa: Qui Spiritu Diaboli Aguntur Hi
Filii Satanae Sunt”. Out on February 12th via Odium Records, the
title features seven dark and ferocious anthems filled with
philosophical and metaphysical musings to make you sink into the
deepest abyss of your own consciousness.
Starting with the ritualistic intro ‘To the Firmament’, where you
can hear enchanting incantations, immersive ambient sounds and even
movie sample, the atmosphere transitions into powerful distorted
riffs and the growls and shrieks of B.G. Ikanunna tear up the space
with predatory precision on the next track, “Trembling Hands of
Sorrow.” With rolling riffs somewhat reminiscent of the atmosphere
of bands like Khold and Sarke, accompanied by several types of
fierce screams and cleaner vocals, Black Hate demonstrate an even
more raw and heated side of their work.
It’s amazing how the band combines a ritualistic fluid atmosphere
with their traditional bestial energy that keeps the listener in
the corner.
Listening to the album, I notice the growth of the band over the
last four years. With a much more mature sound, with twice as much
power as usual, but still with avant-garde riffs and interesting
tempos, the band shows a new level of music writing. Especially in
songs like “Tempestad (O de la transubstanciación)”, which fully
lives up to its name and storms through the ears like a furious
element, you have no choice but to listen in rapture and let the
fire of Black Hate engulf you . Or in the final track of the album,
“Dark Night of the Soul”, which sends you down a ritualistic mental
abyss, shrouded in total darkness and doomy apocalyptic
imagery.
“Via Pvrgativa: Qui Spiritu Diaboli Aguntur Hi Filii Satanae Sunt”
is a particular lord of darkness. Parts of death metal rhythms
partner with progressive black metal elements and bring an
enormous dose of brutality to the record, while soaring
classic riffs make you think of the old-school death metal,
ritualistic moments transport you under the veil of a hazy occult
atmosphere, and the intense and vicious vocal appeals send you
directly into the depths of Hell, where you are subjected to the
most raging fire. Avant-garde, passionate, highly emotionally
charged and powerful, Black Hate’s music attacks without compromise
and at the same time elevates the mind to another level. Purifying
music for dark souls, steeped in Serpent’s light & poison…
Favorite song: “Tempestad (O de la transubstanciación)”
You can hear some of the tracks below:
Album:”Via Pvrgativa: Qui Spiritu Diaboli Aguntur Hi Filii
Satanae Sunt”
Band: Black Hate
Label: Odium Records
Release Date: 12.02.2024
Order: https://bit.ly/46uvwMC
Mother of THE VOID.
Underground music is the ultimate weapon against mediocrity.