STORMKEEP reveal a new glimpse into their forthcoming offering, “The Nocturnes Of Iswylm”, to be released via Vesperian on June 12th.

Founded in Denver, Colorado in 2017, STORMKEEP have become one of the spearheads of contemporary symphonic black metal. From the beginning, the band’s work has been defined by a clear sense of identity: melodic, atmospheric, and rooted in the genre’s classic tradition, while shaped by their own fantasy-driven world and narrative approach.

Their first official release, the “Galdrum” EP, arrived in 2020 and quickly established STORMKEEP as a band with a distinctive vision. One year later, their debut album “Tales Of Othertime” expanded that world further, earning the band strong recognition within the international black metal underground and placing them among the most notable new names in the field.

Now signed to Vesperian, STORMKEEP return with their second full-length album, The Nocturnes Of Iswylm. Continuing the story first opened on “Tales Of Othertime”, the record further develops the band’s self-described black metal symphonia: a blend of grandeur, medieval atmosphere, and fantastical storytelling, carried by precise songwriting and a strong sense of place.

Produced by the band together with Michael Zech, known for his work with SECRETS OF THE MOON, DARK FORTRESS, and THE RUINS OF BEVERAST, and mastered by Arthur Rizk, whose credits include BLOOD INCANTATION, POWER TRIP, and WORM, “The Nocturnes Of Iswylm” presents STORMKEEP’s vision with clarity and depth. The cover artwork was created by Simon Bisley, whose unmistakable visual language adds another striking layer to the world of the album. Additional extensive artwork was created by Valnoir, known for his work with ULVER, PARADISE LOST, AMORPHIS, and more.

Tracklist:
01. The Taste of Immortal Blood
02. The Black Dragons of Iswylm
03. Saccharine Subjugation
04. Imperious Sanguine Eroticism
05. Echoes in the Vasts of Sequestration
06. Carnal Tapestries of Nailtorn Flesh
07. Ballad of a Fallen Star

Delve into  “Imperious Sanguine Eroticism” below: