Three years after its fervent and filled with blasphemous hatred
second full-length opus “For the Glory of Your Redeemer”, Nidrosian
black metal project Misotheist strikes again with organic and
enticing dark atmosphere.
The musician’s familiar approach with an intro of playful riffs
kicks off the album’s title track, ‘Stigma’, with more ethereal
guitars soon giving way to rhythmic mid-tempo drums and denser
rasping melodies surrounded by emotional charged growling vocals
that flare up with each subsequent call only to dissolve back into
the intense instrumental.
Traditionally, the album is again composed within three colossal
tracks, as each of them contains several key sections with
different moods. From raw classic Trondheim madness to mysterious
depths and primal fury, through melancholic soundscapes with
cleaner atmospheric guitars and beautiful undertones, “Stigma” is a
special beast that will completely blow you away with the filling
riffs it offers to your sick ears.
And if you think that everything is like in the old Misotheist
album and there are no special surprises – well, think again…
On the album’s title track, ‘Vessels by which The Devil is made
Flesh’, you can not only hear B. Kråbøl erupting to whole new
heights and even hear a brief sneak peek of clean vocals, but
at some point you’ll witness a special moment where quite
unexpectedly the occult spells of IX from the now inactive cult
black metal band Urfaust make their way into space. The combination
of Misotheist and Urfaust should be declared illegal, most likely
because something more captivating has not been under my radar for
a while. The combination of IX’s fascinating incantations and
Kråbøl’s ferocious intense malice and polished fierce riffs is like
a very strong, triple black coffee – it turns you around like a
hurricane. And no – it’s not even the best of the best on this
album. There is more.
The last track of the album is “Whitewashed Tombs” and from the
very beginning of this long, almost 20-minute track, Misotheist’s
volcanic subjugating madness absolutely detains the mind and leaves
you weightless through captivating cutting and aggressive riffs
surrounded by a frenzied roar!
Subsiding and resurfacing with inhuman malevolence, the beast rips
mercilessly and can’t seem to get enough of coming out from
different directions with new surprises, alluring you to
follow its weighty footsteps. You will even hear ambient
noises that give a cinematic nuance to the record – as if someone
is digging a grave with a shovel, you will undoubtedly be impressed
by the deep atmospheric motifs with various unexpected twists…
All in all, “Vessels by which The Devil is made Flesh” will keep
you on edge and keep your fire going until the very last second,
and I’m sure you’ll want to rewind the record over and over
again to confirm what you have heard at some sections. There
are elements which are so lightly hinted at, yet palpable to
the experienced ear, that you will surely need at least a few
listens to properly appreciate the beauty of the work in its full
capacity.
Fierce, cold, yet truly haunting and atmospheric at the same time,
“Vessels by which The Devil is made Flesh” is a profound, complex
and diverse work, where you will hear raw production from the
beating heart of Trondheim in its full northern and
uncompromising might. Passionate and pouring like a thick icy
wave over the senses, this opus will remind you of the true meaning
of black metal, fueling your curiosity and thirst for quality
music.
For now, you can listen to the album’s title track,
“Vessels by which The Devil is made Flesh”:
Album: “Vessels by which The Devil is made
Flesh”
Band: MISOTHEIST
Release Date: March 1st, 2024
Label: Terratur Possessions
Pre-order: https://bit.ly/3SKvzOT

Mother of THE VOID.
Underground music is the ultimate weapon against mediocrity.